Tom Manley (Digital Shoot)

For more than ten years, Tom Manley has worked in architectural firms before becoming a photographer, focusing on architecture and the built environment. Manley lives and shoots most of his photographs in Glasgow. In 2008, Manley entered the Glasgow Institute of Architects photography competition. He won the social landscape and the documentary photography category.

Below is the one photograph of Manley's which inspires me the most.

source: http://tommanleyphotography.com/urban-landscapes/

This photograph of Manley's inspires me the most because many people look at urban derelictions and think that they are eye sores but to me they are fascinating, wondering what was there and what it was like. This photograph relates to chaos because there are weeds and rubbish all over the place which makes it chaotic and why I really like it which is why I have decided to shoot digital with inspiration from Tom Manley.

Comments

Stitching/Panorama

I created a stitched (photo merge) image by taking many photographs which overlap very slightly in order to produce a final panoramic image. I began by opening photoshop and going to the "File" menu and then "Automate" and then clicking on "Photomerge". By doing this, it opens up a tab which allows me to change what sort of photo merge I am going to produce and it also allows me to browse the files that I would like to use for the photo merge. I then browsed through my files to find the exact files that I wanted to use. Once I clicked open, it layered and merged the photos together into one final panoramic image. Once the final image was created I flattened the image by hovering over the "Layer" and then clicked on "Flatten Image" which brought all the layer into one. Below are my 2 final panoramic images that I created. The 2 final images above are underexposed so when I create a panoram...

Evaluation Of The Carousel (Week 1)

How to process black and white film: (BEFORE STARTING) Take the canister with the film rewound back into it from out of the camera. Take a developing tank, scissors, film canister opener and the canister of film into a dark room. (IN DARKNESS) Once in complete darkness, open the canister, get rid of the film spool and cut the end of the film. once all that has been done load the film carefully onto the spiral. Then put the central tube through the middle of the spiral and then place it into the tank. Lastly, put the funnel on top of the tank making sure that it is on correctly. (PREPARING CHEMISTRY) Using water at 20 degrees, add one part water and one part X-Tol developer: one 35mm film = 300ml of a mixed solution so (150ml X-Tol + 150ml water = 300ml) so for two 35mm films, just double the mixed solution. (DEVELOPING) Pour mixed developer into the tan and put the lid back on. start a timer once the developer is in the tank. the time should be set for around 10 minu...

Health, Safety & Rules of The Darkroom

The health and safety of you and of others around you should be at the forefront of any photo graphical darkroom enthusiast. Below is a list of the key points that will prevent any minor or major incidents from occurring whilst working in the darkroom. Food and drink must not be eaten or drunk inside the darkroom. The extractor fan must be turned on whenever working with any chemicals in the darkroom. If you are using any chemicals, then either tongs or gloves must be used. If your skin comes into contact with any chemicals, then make sure that this is washed immediately. If there is spillage (may it be on worktops or on the floor), make sure to clear it up immediately to prevent anyone from slipping. Do not run inside the darkroom. Darkroom chemicals must not be consumed. Do not touch or interfere with anyone else's workstations or work at any time. When you have finished using the darkroom, make sure that your workstation is tidy with no objects left under enlargers ...

JoshuaR Order & Chaos

Search This Blog