Skip to main content

Hyper-Lapse

I created my hyper-lapse by placing my camera carefully on top of a tripod. I then positioned the tripod which had my camera on the edge of a pavement so that my main subject was positioned centrally in the frame. Next, I took a shot of the subject standing still on the curb of the pavement and every time I took a shot, I tracked backward whilst the subject moved forwards.

I created the final video (hyper-lapse) by putting all the photos that I took into one folder. I then opened Photoshop. Once Photoshop was opened, I went to into the "File" menu and then clicked on "Open". 

























Once I had done that, I Navigated to the folder where all the photos were. I selected the first photo that I took. Once the Photo has opened in photoshop, I went to the "Dialogue Box" and then clicked on "Image Sequence"
























By clicking "Open", it will import the photos into a time-lapse video file. Once I clicked "Open", I was prompted to choose a frame rate. I chose 24 fps for my hyper-lapse.



Once the all the images were brought together into one I exported the time-lapse video. I did this by going to 'File" and then 'Export' and then clicking on 'Render Video', by doing this it opens up a tab which allows me to choose a location that I wanted the rendered video to be saved to.

Below is the final rendered video.


Comments

Post a Comment

Popular posts from this blog

Stitching/Panorama

I created a stitched (photo merge) image by taking many photographs which overlap very slightly in order to produce a final panoramic image. I began by opening photoshop and going to the "File" menu and then "Automate" and then clicking on "Photomerge". By doing this, it opens up a tab which allows me to change what sort of photo merge I am going to produce and it also allows me to browse the files that I would like to use for the photo merge. I then browsed through my files to find the exact files that I wanted to use. Once I clicked open, it layered and merged the photos together into one final panoramic image. Once the final image was created I flattened the image by hovering over the "Layer" and then clicked on "Flatten Image" which brought all the layer into one. Below are my 2 final panoramic images that I created. The 2 final images above are underexposed so when I create a panoram...
Post a Comment
Read more

Evaluation Of The Carousel (Week 1)

How to process black and white film: (BEFORE STARTING) Take the canister with the film rewound back into it from out of the camera.  Take a developing tank, scissors, film canister opener and the canister of film into a dark room. (IN DARKNESS) Once in complete darkness, open the canister, get rid of the film spool and cut the end of the film. once all that has been done load the film carefully onto the spiral. Then put the central tube through the middle of the spiral and then place it into the tank. Lastly, put the funnel on top of the tank making sure that it is on correctly. (PREPARING CHEMISTRY) Using water at 20 degrees, add one part water and one part X-Tol developer: one 35mm film =  300ml of a mixed solution so (150ml X-Tol + 150ml water = 300ml) so for two 35mm films, just double the mixed solution. (DEVELOPING) Pour mixed developer into the tan and put the lid back on. start a timer once the developer is in the tank. the time should be set for around 10 minu...
Post a Comment
Read more

Health, Safety & Rules of The Darkroom

The health and safety of you and of others around you should be at the forefront of any photo graphical darkroom enthusiast. Below is a list of the key points that will prevent any minor or major incidents from occurring whilst working in the darkroom. Food and drink must not be eaten or drunk inside the darkroom. The extractor fan must be turned on whenever working with any chemicals in the darkroom. If you are using any chemicals, then either tongs or gloves must be used. If your skin comes into contact with any chemicals, then make sure that this is washed immediately. If there is spillage (may it be on worktops or on the floor), make sure to clear it up immediately to prevent anyone from slipping. Do not run inside the darkroom. Darkroom chemicals must not be consumed. Do not touch or interfere with anyone else's workstations or work at any time. When you have finished using the darkroom, make sure that your workstation is tidy with no objects left under enlargers ...
Post a Comment
Read more