Skip to main content

The Darkroom

Photograms:

A photogram is a negative image which is created by using a camera-less process. 

To begin with, I gathered objects that I thought would work well for my photograms. I then took my photographic paper and objects into the darkroom making sure that the photographic paper did not get exposed to any light by only opening the box containing the photographic paper in the darkroom. I then placed my photographic paper under the enlarger and placed certain objects in specific locations on the paper making sure that I used my photographic knowledge of the composition of the objects to make the image look good and successful to not just me, but viewers of the image.
Next, I changed the timer, which is how long the light on the enlarger is exposing the paper for, the longer the exposure time the darker the areas where the photographic paper was not covered by an object becomes. Once the paper has been exposed I then used the wet process to develop the image. Firstly, placing the undeveloped print into the developer for 2 minutes whilst being sure to constantly agitate the developer over the print by rocking the tray gently and carefully. Next, by using tongs, place the print into the stop for 10 seconds whilst constantly agitating. After that, I placed the print into the fixative for 1 minute whilst again, constantly agitating. Lastly, place the print into the wash for 5 minutes with the water flowing to get rid of any excess chemicals that may be on the paper still.
Once this wet process is completed, take the developed print to the dryer and feed the print through the dryer so that the print gets an even drying without any smears, potentially ruining the print.
I used this method for every photogram that I produced.
For the manipulated photogram print, I followed the method above but instead of placing the print into the developer I dipped a paintbrush into the developer and splattered the print with the developer to leave the print with a nice effect. 









REFER TO SKETCHBOOK FOR ANNOTATIONS

Comments

Post a Comment

Popular posts from this blog

Editing in RAW

When shooting in RAW, which contains data which is minimally processed either from an image sensor of a digital camera. This format is unready for printing because they are not processed. In order to process the image, I double clicked on the RAW, unprocessed image in the location that the image was in. This then opened up camera RAW which allowed me to make manipulations, improvements and changes to many different things.  Once I had finished making the changes that I wanted to the image, I had to save it. When i saved the image I changed the format to TIFF so that I could print the image and I saved it again but this time as a JPEG so that I could put it onto my blog. Below is the edited versions of my photographs. 
Post a Comment
Read more

Adam Fuss

Source: http://www.cheimread.com/artists/adam-fuss "I see the photogram as being much more truthful and more honest because it's just recording light. There is no manipulation of that light, in the way that a lens manipulates light." - Adam Fuss Adam Fuss was born in 1961 in London but he grew up mainly in Australia. In 1980 Fuss started working as a photographic apprentice at Ogilvy & Mather Agency. He later made a move to New York, this is where he first started to record and document the natural environment around him through photography using a pinhole camera. This later guided Adam to experiment with alternative photographic processes, which later on led to him abandoning using the camera completely. Fuss's photographic works are unique for their contemporary reinterpretation of the earliest techniques of photography, specifically the photograms and camera-less techniques. Fuss believes that to make photographic techniques work, they should be person...
Post a Comment
Read more

Stitching/Panorama

I created a stitched (photo merge) image by taking many photographs which overlap very slightly in order to produce a final panoramic image. I began by opening photoshop and going to the "File" menu and then "Automate" and then clicking on "Photomerge". By doing this, it opens up a tab which allows me to change what sort of photo merge I am going to produce and it also allows me to browse the files that I would like to use for the photo merge. I then browsed through my files to find the exact files that I wanted to use. Once I clicked open, it layered and merged the photos together into one final panoramic image. Once the final image was created I flattened the image by hovering over the "Layer" and then clicked on "Flatten Image" which brought all the layer into one. Below are my 2 final panoramic images that I created. The 2 final images above are underexposed so when I create a panoram...
Post a Comment
Read more