Skip to main content

Pinhole Camera's

Materials:

  • light sensitive photographic paper
  • pinhole camera 
  • developer, fixative, stop and wash (or Ilford print developing machine)


Processes:


The process of using the pinhole camera began by first taking a pinhole camera (made from a shoe box) into the darkroom so that when I collected the light-sensitive paper and placed it inside the pinhole camera emulsion side up, the paper was not exposed to any light because the light-sensitive photographic paper does not get exposed to the red light (safe light) within the darkroom. I then went outside with the pinhole camera and experimented, trying different things to see what worked best with the greatest outcomes from the final print. I made sure that the pinhole was completely sealed shut with the black material, making sure that no light was leaking in, overexposing the paper and in theory spoiling the print. I then brought the pinhole camera back into the darkroom and put it into the print developing machine and waited for the final print to develop.


Technical Skills:

Through the process above, I learned some technical skills, which first includes the exposure times. I learned that when using the pinhole camera in a darkened environment or capturing a dark subject matter, then the light-sensitive paper should be exposed to more light meaning that it needs a longer exposure time of around 20-30 seconds. Also, it works the opposite way, with a lighter scene which means that it may not need a long exposure time and instead have a shorter exposure time of around 10 seconds. I found this out by experimenting with different environments and different kinds of lighting. The second technical skill that I learned was that when using a pinhole camera, you need to get as close to the subject matter as possible in order to achieve the best final outcomes which have distortion and obscures the subject matter that I was capturing.
My prints can be seen below, starting with my experimental prints using the pinhole camera followed by my personal best print.

 





REFER TO SKETCHBOOK FOR ANNOTATION

Comments

Popular posts from this blog

Multiplicity In Photoshop

Multiplicity in photography is the process of taking multiple photographs of humans, objects or animals in different areas of the frame, and then combining these photographs in photoshop. Below are some good examples of multiplicity photographs. http://easthsdigitalphoto.weebly.com/what-are-we-doing-today.html http://www.positive-magazine.com/world-of-one/ https://www.ormsdirect.co.za/blog/2015/05/11/creating-action-sequences-in-photoshop/ I created my own multiplicity photograph by experimenting on photoshop, through masking in the layers palette. Firstly, I set up my camera making sure it was secure on top of a sturdy tripod so that there was no unnecessary camera movement. I then got the main subject to do a specific action in different locations in the frame for every different photograph that I took. I tried to link all the shots that I took of the subject by making them p...

Tom Manley (Digital Shoot)

For more than ten years, Tom Manley has worked in architectural firms before becoming a photographer, focusing on architecture and the built environment. Manley lives and shoots most of his photographs in Glasgow. In 2008, Manley entered the Glasgow Institute of Architects photography competition. He won the social landscape and the documentary photography category. Below is the one photograph of Manley's which inspires me the most. source: http://tommanleyphotography.com/urban-landscapes/ This photograph of Manley's inspires me the most because many people look at urban derelictions and think that they are eye sores but to me they are fascinating, wondering what was there and what it was like. This photograph relates to chaos because there are weeds and rubbish all over the place which makes it chaotic and why I really like it which is why I have decided to shoot digital with inspiration from Tom Manley.

Evaluation Of The Carousel (Week 2)

Materials Microphone Tripod Adobe Audition Computer Cameras Lights (spotlights, overhead lights) Autocue Script Props Processes Setting all materials that are needed. Creating a pitch and presenting to everyone else. Editing the audio on Adobe Audition. Acting out the media. Reading the script. Getting the correct lighting for the media. Media. Day 1 I was given the task to read a segment of the book, "The Cat in The Hat" by Dr. Seuss, into a microphone and then editing the audio from the microphone on Adobe Audition. I then added background music to liven up the segment of audio and to add a mood specifically for the story. I did this by following the following steps below. 1. On the file you have chosen, highlight the parts that you don't want/ need. 2. Delete the highlighted parts by clicking delete and then this part should be gone. 3. Once step 2 has been performed then you will need to begin layering the audio files. I...